Last night, we went to see ‘The Passenger’, which is an opera about the great themes of international justice. It is largely set in Auschwitz . One of the protagonists, Liese, was an Auschwitz guard. She has kept her past concealed form her husband, who is a German diplomat. On their way to his posting in Brazil in 1958, she spots another passenger on the ship, Marta, and recognizes her as a former inmate of Auschwitz . In the first act, several of the women prisoners, from France , Greece and the Czech Republic , some of them Jews, tell of their past and how they ended up in Auschwitz . The message is unforgiving, as the two women, Marta and Liese stand alone on stage in the final scene.
The composer was Mieczyslaw Weinberg, a Polish Jew who managed to flee to the A weblog for students engaged in doctoral studies in the field of human rights. It is intended to provide information about contemporary developments, references to new publications and material of a practical nature.
Sunday, 25 September 2011
The Passenger: Auschwitz at the Opera
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